First contact is the opposite of invasion — no explosions, just a linguist's hands shaking over a console and a shape in the fog that might be a greeting. Describe the moment of meeting you want, and Dreamz directs the awe without tipping into spectacle.
The script withholds the visitors as long as your story wants — signal, approach, threshold, meeting — so the reveal carries the weight of everything before it.
Mathematics on a screen, mirrored gestures, an offered object: the direction stages how two species learn to talk, which is where this genre actually lives.
The beings are designed to your brief — luminous, geometric, disturbingly familiar — and locked at the casting gate so their look never wobbles between scenes.
Your scientists, soldiers, or farm kids are approved from portraits and stay consistent, so the film can spend long, quiet close-ups on faces processing the impossible.
Dreamz is also a Claude connector (MCP) — describe your film to Claude and the finished video comes back in the conversation. If Claude is already your workspace, your film studio now lives there too.
Tell Dreamz about the first contact films you want — story, mood, who's in it. The director agent writes the script and casts characters with you, in chat.
Scenes generate live on your dashboard — visuals, voices, music and editing handled for you, with the exact price quoted before anything is charged.
Watch the finished cut, request changes in plain words, then download it — everything you make is commercially yours.
Yes. Ambiguity is a script decision — you can end on an open gesture, an unanswered signal, or a translation that arrives one scene too late. You approve the ending before rendering.
Not necessarily. Some of the strongest versions are nearly silent — staged through gesture, light, and reaction shots. Where humans do speak, voices are native and lip-synced.
The exact price is quoted upfront in chat before anything is charged, and short videos start at a few dollars. The approved quote is exactly what you pay.
Yes. Period is part of your brief — analog radio telescopes, Cold War paranoia, or a present-day desert array — and production design follows it consistently.
You do, commercially and completely. Festival submissions, streaming uploads, and licensing are all yours to make.
Yes. Dreamz ships an official Claude connector (MCP): connect it once in Claude, then describe the video you want in any conversation — pricing quotes, drafts and the finished film are delivered right in the chat. The website and the Claude connector share the same account and pricing.
One signal from the dark, returned as a directed short film.